Wedding Photography - Outdoor Strobe Flash

I'm home and tiiiiired! I shot a wedding most of the day with Dave assisting me. We got home and went through all of the shots and there were so many awesome ones! We were excited about the images and also about some new lighting setups that we created along the way. (Thanks for the help Dave!)

Equipment
I often get looked down upon by other wedding photographers due to the equipment I bring along. I apparently bring too much, but I can carry it all by myself at once, so I don't believe it's too much. And, when a shot (posted here) can be created with equipment that I can carry myself, I have a hard time seeing how it's not worth it.

I used one strobe with a grid to get the vignetting. I used portable power to power the strobe. I metered to capture the clouds how they were.

I often get asked by photographers "how do you have enough time to set this stuff up?!" Simple, first I plan ahead, weeks before the wedding, a time to focus on such shots. Second, I learned how to meter quickly. Third, I work better under pressure. Fourth, I keep my clients informed during the shoot precisely what I am doing and how long it will take. (That makes the pressure of time much less for me and them.)

This took about 8 minutes to hook up the light, meter, pose, and shoot. There were many other shots, this was only my favorite out of the bunch.

Post Production
I used raw tools to saturate the color and change the greenery to a more rust-like color. (clients request) I also pushed the vignetting a little further (on the bridge wood) than my strobe/grid had done. It did a fine job on her dress though.

Getting Paid For Your Photography

JimmyD recently posted over in the Supershoots forum a video of Harlan Ellison talking about getting paid as a writer as apposed to getting exposure or publicity.

You can watch this short (3:24) video of Ellison talking about a situation where this arose and his thoughts on it.

Watch it a second time and replace the word "writers" with "photographers."

I think of it this way, my mortgage company doesn't accept publicity or exposure for payment, and neither does McDonalds. So, why should I?

This image is of Roberta looking amazing as usual! Thanks Roberta!

Oops!! Missing Links!

I was reorganizing my images online the other day and created a few missing links on this blog. I went back and fixed all but one which I deleted and will have to re-upload once I'm back at the home base.

I hope no one got hurt and that everyone is OK!

:D

Saint Louis Graffiti Wall

I remember a long time ago I got to go up into the Saint Louis arch. That was a neat experience. What I didn't know then is that there is a huge wall, more than a mile, right below the arch that separates the water and land/railroad.


Graffiti artists from all around makes stops at the wall and 'battle' other artists work. Not sure how this all exactly works, but sounds like a fun thing to be aware of. I'm curious to what artists do this sort of thing and what other cities have such places to graffiti.

This image was shot with two strobes. The backlight had several 1/4 Cinegel (#3409) to give the wall a warmer feel. I wanted to use red or blue lights for the background, but I didn't have anything but the Cinegel's with me. The main light was a 42 inch silver umbrella. A flashlight was used for focusing since it was totally dark while shooting.

The model is Elise. She did a fantastic job of taking direction while also having fun! Props to Miss Ashley for doing the make up and hair with a half dead flashlight!

Outdoor Wedding Photography

Since I shoot weddings solo it was a ton of work shooting two in one week. So many files and post production to work on!

It wasn't too difficult to shoot the first wedding when the two getting married both model and are friends of yours. Makes things a tad bit easier! Kris and Ty (in the image posted) chose this area to shoot in which I have never been to before. I brought with me portable power and two strobes.

I needed both strobes on almost full power to balance out the sunlight in the background. It was really REALLY bright out that day! I used my camera and light meter to get exposures correct buuuut my light meters battery is dying and it's readings are not accurate. So, I had to squint to see my histogram and used my instincts.

To my surprise the exposures came out excellent! All I needed to do was bump the color warmer and clean up some junk on the ground.

Congratulation Kris & Ty on your marriage! You two totally rock!

Canon 20D
1/125 @ f/10

Camera Firmware

I'm working on a children's book. This is the opening line...

"Once upon a time, camera's didn't have computer chips inside..."

*the kiddies eyes get really BIG*

"REEEEEALLY?!"

Okay, I'm not really working on a children's book. But, our cameras are now small computers with a shutter and lens. No longer just a regular dumb old donkey camera.

Our camera's are controlled by its Firmware. This is the code inside the camera that sets the rules of what the camera can do and how to do it.

After some time a new camera is released, a firmware upgrade will pop up. Sometimes the upgrade will fix color issues on the screen or maybe when you purchased your camera it didn't support high-capacity CF cards. That doesn't mean it CAN'T. It only means the firmware is not written to support such a card.

(For instance, with the Canon 5d you can upgrade the firmware to allow it to use high-capacity CF cards when it originally did not.)

Here are links to upgrade your firmware. Each camera model firmware corrects and/or changes different functions of that camera. It may be that some firmware updates are updates which are totally useless to you. Others may be very useful.

::READ ALL INSTRUCTIONS FIRST::
CANON
NIKON
MAMIYA
OLYMPUS


The above image is Maria looking awesome as usual! But, this time in front of an awesome car, which makes this image double awesome! Shot with one unmodified strobe to camera right.

One step at a time, but QUICKLY!

I had the chance to travel to Tampa Florida this past weekend for another Supershoots event. It was the best time to head to Florida since it snowed in Illinois right after the plane took off! The event went extremely well! Gorgeous girls, fantastic make up artists, and participants ready and willing to pick up new knowledge to improve their images.

It's still amazing to me what can happen with lighting in 1/125th of a second. This whole sundown situation really gets those synapses flying. Everything hits at once! It goes from simple things like "am I holding my camera for the horizon is flat?" to less obvious changes like "is the lighting ration between the strobe and sun correct or even close?!" And a million other things. Like, I CAN'T HEAR BECAUSE THE OCEAN IS LOUD! Who knew? I don't live near it! The loudest noise in the Mid West is corn blowing in the wind or maybe a tractor driving by once in awhile!

The fine lady above is Mandy. A big thanks to Kenn Ellis who provided some needed equipment and acted as a human light stand. I couldn't have made this shot without him. Also a big thanks to dK for allowing me to shoot with his 20d!

• Canon 20D
• f/8
• 1/125th
• Vivitar 285HV Flash

Corvette!

(click for larger version)

This past mothers day my father decided to sell his Avalanche truck for he could purchase my mother a Corvette. She drove around that mothers day giving people rides with a huge smile on her face. It was awesome! So, now it's September and we decided to take the Vette out to some country roads and do a shoot. We choose to shoot in the morning where the sky and ground would have some feeling. After we shot I decided I wanted to try the same sort of shoot with sundown to compare the differences on sunup/sundown. Hopefully we get to that next week and I will make a post of the differences.

The shoot went something like this. I shoot three shots, CAR COMING!, dad runs to move car, me and mom run to the side of the road, car passes, dad reparks the car and while he gets out I'm posing mom, shoot three more shots, do it all over. I only have this shot out of post so far. I'll get to the rest next week.

Shot with:
Canon 20D
Vivitar 285HV Flash

Grandkids at church!

One of our sessions this month included 7 grandkids and a miniature church. This miniature church located in Groveland, Illinois is well-known in the area for a place to tie that knot. We have shot a wedding or two there in the past, but not the kiddies!

This session, or event as I would call it, took about 1.5 hours and was fairly enjoyable due to the kids having good attitudes. Lucky us huh? My wife and I each had a camera and a few lenses close by knowing that we would be all over the place. We started 30 minutes beforehand by cramming into the tiny chapel and choosing the best place to shoot. This also involved where the lights are going to go, do we even needs them, and where are we going to be shooting from. I don't have a great shot of the entire interior, but here is a 35mm shot that reveals about half of the interior and a few kids not paying any attention to me! :) Tech specs are at the end of this post.


I shot that first image above as they were running into the church. Immediately after that shot I ran towards the church doors. As I got closer I heard one of the family members yell to the kids "don't go in yet, they (us, the photog's) may not be ready!" PERFECT! I got inside as the kids ran back out which gave me the chance to capture the shot to the left. I decided to sepiatone some images because we were told before hand that the kids would be dressed in 60'ish vintage type of clothing.
What was a surprise is that the night before we found out that we were NOT shooting at their home, but instead at this miniature church. I figure, "hey, it's better than a living room!" I usually go with "don't pass up a unique setting!"

We figured that since we were not in a living room that we would go outside and see what there was to play with. We said nothing and watched where the kids naturally ran to. There was this awesome tree that screamed for kids to climb. This opened up many opportunities to capture the kids playing and not being coaxed into "smiling." I went with a sepia-like toned image, but with more color. I really wanted to push the vintage feel for them. I wanted the images to look like they were shot at that time period.

There was also a well that we played at for quite some time.



We ended our session with headshots of each child, but right before that I couldn't pass up shooting the guys (and girls) together while sitting on the church entrance steps. I mean, the place was built for kids right? Maybe not, but it sure fit their heights! I processed this image much different from the others. It reminds me of pictures of my father when he was young. It's like the images had some sort of color overlay on top of a black and white.

Tech Info:
Images inside the church: Alienbee800 softbox for a main and an unmodified light bouncing off the ceiling for fill.

Images on the church steps: Alienbee800 to camera left to fill in shadows.

All other images: no studio lights, Canon 10d and 20d with various lenses.

It may be dark, but lights are portable!

I'm always amazed by what can be done with photography. There are many dimensions to explore that allow control of any given situation. And not only control, but the ability to change what the camera is seeing compared to what is actually seen on the set with our eyes. This is where taking a picture turns into a vision being created. But, not all vision involves setting up lights and controlling everything.

This is a main factor that stands between me and my wife's approach to shooting. She is energetic in capturing the way life is. She creates wonderful images that posses feeling without ever having to setup studio lights or planning a shoot. (I'm actually quite jealous of her simplicity!) Check out her recent tear from her Tanzania trip.

I, on the other hand, have a vision of creating images that involve setting up lighting and controlling everything in front of the lens. I think what is more important than choosing your approach is to discover what approach you naturally fall into. Like they say, "knowing is half the battle."


When it comes to creating a vision, there entails a monster list of things to think over. But, other times it's very simple and takes little to create. It all depends on how big your visions is and also how well you stick with the K.I.S.S. rule.

I recently ran across some really fun in-camera color work from joserra puelles flicker account. Check out this link for some interesting approaches to in-camera color. It's subject matter that is right up my alley! (aaand not so much my wife's :)

If you know your vision isn't being reached, I suggest starting by finding people who you see have vision. If you want to think visionary, follow those who already think that way. I have many artists floating in my head that have great vision and direction when shooting. In fact, I added to the right hand column ("artists links that interest me") a bunch of links of other artists work that I personally enjoy. I hope you find a gem for yourself there.

The above is another image of Maria. This is one of those images where if you were standing there, it didn't look anything like this. It was totally dark outside. This was shot using one AlienBee as the main light and an off camera flash for a hair light. Almost as simple as my wifes approach! A big thank you to Jeremy Sparling for allowing me to use his flash and also for manning it during this shot!